![]() ![]() ![]() Similarly, “Tangled Hair” (2023) evokes the story of Rapunzel, with a wavy, luxurious mane centered on the canvas and several hands with painted fingernails reaching out to touch the messy locks. Perhaps both are an homage to Cinderella, if the glass slipper broke. In “One Time” (2022), a turquoise foot pointing upward, against a blue background, wears a gold ring around the big toe and a beaded anklet, while “The Last Hour” (2023) features a gray foot pointing downward against a darker gray background, surrounded by shards of glass suspended in midair. Bonell’s tales spin a scheherazadian web, not relying on classic narrative structure but rather telling bits and pieces of stories, allowing us to imagine what we cannot see.Ī goofy frog wearing a crown dominates the canvas of “The Little Prince” (2023), an ode to the German fairy tale “ The Frog Prince.” The frog gazes up, presumably at a princess who is about to kiss him or kick him against the wall - depending on which version of the story you prefer - and turn him back into a human prince. Appendages are featured widely in the works: feet, legs, a spidery hand with nine fingers. The Barcelona-based Catalonian artist’s oil paintings traverse and reinterpret the world of folk and fairy tales. Being poor all of the time, being unable to do the kind of work I want to do every day, and being looked over for roles because of YouTube stars like your daughter is not what I would call fun.LOS ANGELES - Some Stories, Jose Bonell’s solo show at Various Small Fires, is a blend of warm and cool dreamscapes, a dip into the silvery membrane between our waking and imaginary lives. “Do you do this for fun?” was a question I grappled with for many years. Some decide to give up on their passion altogether. ![]() An actor can fall into the aspirational loop for years without ever getting ahead, struggling to make ends meet. ![]() Streaming hasn’t helped in today’s market, commercial and critical success often fails to translate into fair pay. We tell ourselves that the job may come with a small paycheck, but the exposure may lead to bigger and better opportunities. We learn very early on to settle for little if it means getting to do our art. I once did a New York play production with a contract where both union and nonunion actors could work on the same show - but union actors like me received $300 for three months of rehearsals and performances, while nonunion actors got nothing.Īctors have long been conditioned to feel grateful that they are being included and paid for it. Actors join these unions hoping to work on large-scale projects and make more money, though sometimes the union card makes little difference. I was part of Actors Equity, the theater union. Though I mainly worked in film and TV, I never joined SAG-AFTRA. I can’t count the times I’ve been on a set where we shot hours past the time we were scheduled to wrap filming. Even if they do, if they’re new to the industry they often start off nonunion, have to work in low-budget productions and get paid little. Unless it’s a contract for a long show, an actor seldom gets an opportunity to work numerous times in a row. It’s also not implausible to see an actor make their debut on Broadway one year and then find them passing hors d’oeuvres at a Tony awards after-party the next. Maisel” and then spot them dressed as an elf at Christmastime when heading up an escalator at a department store. It’s not implausible to watch someone on an episode of “The Marvelous Mrs. Most spend much of their days working a job that has nothing to do with their skill set or passion so they can pay their rent and utility bills. Actors have always been in crisis.Īn actor is out of work 90% of the time. Our profession isn’t suddenly in crisis in 2023. The crux of the union’s argument is that actors finally deserve proper compensation for their work. But this dispute is not at its heart about new technology or AI. SAG-AFTRA has trenchantly described how streaming services and AI technology are transforming and threatening the existing creative landscape of Hollywood. ![]()
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